{"id":305,"date":"2019-07-21T19:26:18","date_gmt":"2019-07-21T17:26:18","guid":{"rendered":"https:\/\/labo.eus\/?p=305"},"modified":"2026-03-03T12:02:19","modified_gmt":"2026-03-03T11:02:19","slug":"labo-go15-cia-eva-guerrero","status":"publish","type":"post","link":"https:\/\/labo.eus\/?p=305","title":{"rendered":"LABO GO15 C\u00eda Eva Guerrero"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"424\" src=\"https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/K15-LABO-B.png\" alt=\"\" class=\"wp-image-306\" srcset=\"https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/K15-LABO-B.png 300w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/K15-LABO-B-212x300.png 212w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n<p><strong>LABO GO 15<\/strong><br>C\u00eda Eva Guerrero.<br>26-07-2019 Kutxa Kultur Azotea, Tabakalera.<br>Dantza garaikidea | Danza contempor\u00e1nea.\u0003\u0003<br>20:00-22:00<\/p>\n\n\n\n<p><strong>Gorpuztu (extracto).<\/strong><br><strong>Piezaren jatorria erlijio ezberdinetako momentu zehatzetan egiten diren gorputz erabileren azterketa da. Dantzaria: Garazi Lopez de Armentia<\/strong>&nbsp;Gorpuztu es una lucha por estar en calma, por silenciar el ruido, por aligerar la carga y la culpa, por encontrar un lugar donde el animal duerma tranquilo.<\/p>\n\n\n\n<p><strong>El fin de las cosas.<\/strong><br><strong>Nola erlazionatzen garen, zer erabaki hartzen ditugun, eta erabaki horiek aldamenean dugun pertsonarengan zer-nolako eragina duten hausnarketa da; akzioari, erreakzioari eta akziorik ezari buruzko ikuskizuna.<\/strong>&nbsp;La pieza gira en torno a c\u00f3mo nos relacionamos, las decisiones que tomamos y como \u00e9stas afectan a la persona que tenemos al lado. De la inercia y la cabezoner\u00eda, de la falta de control, lo animal,&nbsp;de lo que nos gustar\u00eda que pasara y est\u00e1 pasando en realidad. Int\u00e9rpretes: Garazi Lopez de Armentia y Aritz L\u00f3pez.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-002-1024x576.png\" alt=\"\" class=\"wp-image-16704\" srcset=\"https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-002-1024x576.png 1024w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-002-300x169.png 300w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-002-768x432.png 768w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-002-1536x864.png 1536w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-002-1080x608.png 1080w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-002.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-003-1024x576.png\" alt=\"\" class=\"wp-image-16705\" srcset=\"https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-003-1024x576.png 1024w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-003-300x169.png 300w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-003-768x432.png 768w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-003-1536x864.png 1536w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-003-1080x608.png 1080w, https:\/\/labo.eus\/wp-content\/uploads\/2019\/07\/LABOGO15-IO-003.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>LABO GO 15C\u00eda Eva Guerrero.26-07-2019 Kutxa Kultur Azotea, Tabakalera.Dantza garaikidea | Danza contempor\u00e1nea.\u0003\u000320:00-22:00 Gorpuztu (extracto).Piezaren jatorria erlijio ezberdinetako momentu zehatzetan egiten diren gorputz erabileren azterketa da. Dantzaria: Garazi Lopez de Armentia&nbsp;Gorpuztu es una lucha por estar en calma, por silenciar el ruido, por aligerar la carga y la culpa, por encontrar un lugar donde el&hellip;<\/p>\n","protected":false},"author":7,"featured_media":16702,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45],"tags":[],"class_list":["post-305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-labo-go-2019"],"_links":{"self":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=305"}],"version-history":[{"count":4,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/305\/revisions"}],"predecessor-version":[{"id":16706,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/305\/revisions\/16706"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/media\/16702"}],"wp:attachment":[{"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}