{"id":5264,"date":"2022-09-19T09:20:00","date_gmt":"2022-09-19T07:20:00","guid":{"rendered":"https:\/\/labo.eus\/?p=5264"},"modified":"2026-03-04T09:27:08","modified_gmt":"2026-03-04T08:27:08","slug":"labo-xl4-oihana-vesga","status":"publish","type":"post","link":"https:\/\/labo.eus\/?p=5264","title":{"rendered":"LABO XL4 Oihana Vesga"},"content":{"rendered":"\n<p><strong>Oihana Vesga<\/strong>&nbsp;(<strong>Donostia<\/strong>)<br>\u00ab<strong>Altzoan altzoan esaten dit \/ Bragas y Celine<\/strong>\u00ab<br><strong>Dantza garaikidea&nbsp;<\/strong>Danza contempor\u00e1nea&nbsp;<strong>22\u2019<\/strong><br><strong>Az 19&nbsp;<\/strong>X&nbsp;<strong>12:00 Kutxa Kultur Plaza<\/strong><br><br><strong>Sormen prozesua galdera zehatz batetik abiatzen da; zer esan nahi du emakume izanik akzioaren edo ekintzaren subjektua izatea, maiz objektu gisa errepresentatzen gaituen gizartean? Lanak score edo partitu- ra baten egitura jarraitzen du, non ariketa bakoitzean mugimenduaren eta ahotsaren lanketaren bitartez plazerraren alderdi zehatzak uztartzen diren.<\/strong><br><br>La pieza nace de una pregunta en concreto; \u00bfqu\u00e9 significa, como mujer, ser el sujeto de la acci\u00f3n en un contexto&nbsp;en el que a menudo se nos cosifica como objeto? Se&nbsp;quiere conectar con el deseo y el placer como motores de la pieza, en la que se busca accionar un sujeto activo y presente en movimiento y en relaci\u00f3n a su voz.<br><br>Koreografia\/interpretazioa&nbsp;<strong>Oihana Vesga&nbsp;<\/strong>Jantziak&nbsp;<strong>Xabier Mujika, Oihana Vesga&nbsp;<\/strong>Kanpoko begirada&nbsp;<strong>Maria Ibarretxe, Ibon Salvador, DPVillanueva<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"665\" src=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-6150.jpg\" alt=\"\" class=\"wp-image-5529\" srcset=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-6150.jpg 1000w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-6150-300x200.jpg 300w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-6150-768x511.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"665\" src=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-6145.jpg\" alt=\"\" class=\"wp-image-5540\" srcset=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-6145.jpg 1000w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-6145-300x200.jpg 300w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-6145-768x511.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Oihana Vesga&nbsp;(Donostia)\u00abAltzoan altzoan esaten dit \/ Bragas y Celine\u00abDantza garaikidea&nbsp;Danza contempor\u00e1nea&nbsp;22\u2019Az 19&nbsp;X&nbsp;12:00 Kutxa Kultur Plaza Sormen prozesua galdera zehatz batetik abiatzen da; zer esan nahi du emakume izanik akzioaren edo ekintzaren subjektua izatea, maiz objektu gisa errepresentatzen gaituen gizartean? Lanak score edo partitu- ra baten egitura jarraitzen du, non ariketa bakoitzean mugimenduaren eta ahotsaren lanketaren&hellip;<\/p>\n","protected":false},"author":7,"featured_media":5532,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-laboxl4"],"_links":{"self":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5264"}],"version-history":[{"count":8,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5264\/revisions"}],"predecessor-version":[{"id":17012,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5264\/revisions\/17012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/media\/5532"}],"wp:attachment":[{"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}