{"id":5303,"date":"2022-09-19T09:29:32","date_gmt":"2022-09-19T07:29:32","guid":{"rendered":"https:\/\/labo.eus\/?p=5303"},"modified":"2026-03-04T11:52:23","modified_gmt":"2026-03-04T10:52:23","slug":"labo-xl4-dani-hernandez-derek-van-bulcke-emilio-manzano","status":"publish","type":"post","link":"https:\/\/labo.eus\/?p=5303","title":{"rendered":"LABO XL4 Dani Hern\u00e1ndez \/ Derek Van Bulcke \/ Emilio Manzano"},"content":{"rendered":"\n<p><strong>Dani Hern\u00e1ndez \/ Derek Van Bulcke \/ Emilio Manzano<\/strong>\u00a0(<strong>Bilbao\/Murcia\/Ja\u00e9n<\/strong>)<br>\u00ab<strong>La grieta<\/strong>\u00ab<strong><br>Performancea\/flamenkoa\u00a0<\/strong>Performance\/flamenco\u00a0<strong>45\u2019<\/strong><br><strong>Or 21\u00a0<\/strong>V\u00a0<strong>21:00 Dabadaba<\/strong><br><br><strong>Herentziatik, kontserbadurismotik, distortsiotik eta gaurkotasunetik edaten dugu. Hausturan aukera\u00a0berriak daude. Sakratua hutsaldu eta flamenkoaren,\u00a0erritualen, liturgien eta raveen egunerokotasuna sakralizatu. Manzanok irudiaren argia eta dramaturgia\u00a0lantzen ditu. Bulcke flamenkoa soinu-artetik. Hernandezek espainiar dantza performance gisa erabiltzen du.<\/strong><br><br>Bebemos de la herencia y de la actualidad, del conservadu- rismo y la distorsi\u00f3n. Donde hay ruptura hay nuevas posibilidades. Nos interesa banalizar lo sagrado y sacralizar locotidiano tanto del flamenco como de los rituales, las\u00a0liturgias y las raves. Manzano trabaja la luz y la dramatur-\u00a0gia de la imagen. Bulcke el flamenco desde el arte sonoro.Hern\u00e1ndez utiliza la danza espa\u00f1ola como performance.<br><br>Ideia\/ikerketa\u00a0<strong>Bulcke, Hern\u00e1ndez\u00a0<\/strong>Soinu elektronikoa\u00a0<strong>Bulcke\u00a0<\/strong>Analogikoa\u00a0<strong>Hern\u00e1ndez\u00a0<\/strong>Argiak\u00a0<strong>Emilio Manzano\u00a0<\/strong>Jantziak\u00a0<strong>Mantekillah\u00a0<\/strong>Ekoizpena\u00a0<strong>Dani Hern\u00e1ndez<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"665\" src=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-8339.jpg\" alt=\"\" class=\"wp-image-5599\" srcset=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-8339.jpg 1000w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-8339-300x200.jpg 300w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-8339-768x511.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"665\" src=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-8430.jpg\" alt=\"\" class=\"wp-image-5600\" srcset=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-8430.jpg 1000w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-8430-300x200.jpg 300w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-8430-768x511.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Dani Hern\u00e1ndez \/ Derek Van Bulcke \/ Emilio Manzano\u00a0(Bilbao\/Murcia\/Ja\u00e9n)\u00abLa grieta\u00abPerformancea\/flamenkoa\u00a0Performance\/flamenco\u00a045\u2019Or 21\u00a0V\u00a021:00 Dabadaba Herentziatik, kontserbadurismotik, distortsiotik eta gaurkotasunetik edaten dugu. Hausturan aukera\u00a0berriak daude. Sakratua hutsaldu eta flamenkoaren,\u00a0erritualen, liturgien eta raveen egunerokotasuna sakralizatu. Manzanok irudiaren argia eta dramaturgia\u00a0lantzen ditu. Bulcke flamenkoa soinu-artetik. Hernandezek espainiar dantza performance gisa erabiltzen du. Bebemos de la herencia y de la actualidad,&hellip;<\/p>\n","protected":false},"author":2,"featured_media":5597,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-laboxl4"],"_links":{"self":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5303"}],"version-history":[{"count":4,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5303\/revisions"}],"predecessor-version":[{"id":17032,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5303\/revisions\/17032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/media\/5597"}],"wp:attachment":[{"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}