{"id":5315,"date":"2022-09-19T09:30:16","date_gmt":"2022-09-19T07:30:16","guid":{"rendered":"https:\/\/labo.eus\/?p=5315"},"modified":"2026-03-04T12:02:27","modified_gmt":"2026-03-04T11:02:27","slug":"labo-xl4-rev-silver-satanasa","status":"publish","type":"post","link":"https:\/\/labo.eus\/?p=5315","title":{"rendered":"LABO XL4 Rev Silver \/ Satanasa"},"content":{"rendered":"\n<p><strong>Rev Silver \/ Satanasa<\/strong>\u00a0(<strong>Madrid<\/strong>)<br>\u00ab<strong>Naga<\/strong>\u00bb\u00a0<strong>Estrenaldia\u00a0<\/strong>Estreno<strong><br>Performance musikala\u00a0<\/strong>Gaztelania\u00a0<strong>Castellano 25\u2019<\/strong><br><strong>Lb 22\u00a0<\/strong>S\u00a0<strong>20:00 Convent Garden Cripta<\/strong><br><br><strong>Zientzia fikzio distopikoan, dragean eta \u00abdeconstructed club\u00bb ean oinarritutako unibertsoa. Generoaren disforia\u00a0eta euforia musika, diseinua eta ekintzak sortzeko premisa dira. Haserrea eta indarkeria eraldaketaren motorra dira beldurraren eta errepresioaren uztarriekin hausteko. Amorru askatzailea eta anbizioa gure genero-identitatearen mugekin gatazkan sartzen dira.<\/strong><br><br>Universo inspirado en la ciencia ficci\u00f3n dist\u00f3pica, el drag y el\u00a0\u00abdeconstructed club\u00bb. La disforia y euforia de g\u00e9nero son la premisa para la creaci\u00f3n de la m\u00fasica, el dise\u00f1o y las acciones. La ira y la violencia son el motor de la transformaci\u00f3n para romper con los yugos del miedo y la represi\u00f3n. La\u00a0rabia liberadora y la ambici\u00f3n entran en conflicto con los\u00a0l\u00edmites de nuestra propia identidad de g\u00e9nero.<br><br>Zuzendaritza\/antzezleak\u00a0<strong>Rev Silver, Satanasa\u00a0<\/strong>Musika\u00a0<strong>Rev Silver\u00a0<\/strong>Artea\u00a0<strong>Satanasa\u00a0<\/strong>Jantziak\u00a0<strong>Ariadna Paniagua, \u00c1lvaro del R\u00edo\u00a0<\/strong>Makillajea\/ilea\u00a0<strong>Adri\u00e1n Garc\u00eda\u00a0<\/strong>Laguntza\u00a0<strong>Sara Ruiz Ferrer<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"665\" src=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-9327.jpg\" alt=\"\" class=\"wp-image-5624\" srcset=\"https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-9327.jpg 1000w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-9327-300x200.jpg 300w, https:\/\/labo.eus\/wp-content\/uploads\/2022\/11\/LABOXL4-FotoAne-Berriotxoa-9327-768x511.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Rev Silver \/ Satanasa\u00a0(Madrid)\u00abNaga\u00bb\u00a0Estrenaldia\u00a0EstrenoPerformance musikala\u00a0Gaztelania\u00a0Castellano 25\u2019Lb 22\u00a0S\u00a020:00 Convent Garden Cripta Zientzia fikzio distopikoan, dragean eta \u00abdeconstructed club\u00bb ean oinarritutako unibertsoa. Generoaren disforia\u00a0eta euforia musika, diseinua eta ekintzak sortzeko premisa dira. Haserrea eta indarkeria eraldaketaren motorra dira beldurraren eta errepresioaren uztarriekin hausteko. Amorru askatzailea eta anbizioa gure genero-identitatearen mugekin gatazkan sartzen dira. Universo inspirado en la&hellip;<\/p>\n","protected":false},"author":7,"featured_media":5623,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-5315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-laboxl4"],"_links":{"self":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5315"}],"version-history":[{"count":6,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5315\/revisions"}],"predecessor-version":[{"id":17042,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/posts\/5315\/revisions\/17042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=\/wp\/v2\/media\/5623"}],"wp:attachment":[{"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/labo.eus\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}